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8 January 1836 – 25 June 1912. Most renowned painters.

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David Ryckaert
The Temptation of St.Anthony

ID: 30019

David Ryckaert The Temptation of St.Anthony
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David Ryckaert The Temptation of St.Anthony


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David Ryckaert

Flemish Baroque Era Painter, 1612-1661 was a Flemish painter. A member of the Ryckaert family of artists, he was born and raised in Antwerp, the city in which he conducted his career and in which he died. He was the son of David Ryckaert II, grandson of David Ryckaert I, and nephew of Martin Ryckaert. David Ryckaert was a pupil of his homonymous father; his work was influenced by the styles of Adriaen Brouwer and both David Teniers the Elder and David Teniers the Younger. Ryckaert is noted for large and often humorous genre pictures of farmers and landlords, and powerfully coloured still lifes. He also painted a range of other subjects, including religious pictures; his The Temptation of Saint Anthony (1650) is in the collection of the Palazzo Pitti in Florence.   Related Paintings of David Ryckaert :. | The peach trees in winter | Marietta (mk11) | Zawieszenie dzwonu Zygmunta na wiezy katedry w roku 1521 w Krakowie | La Joie de Vivre (mk35) | Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, |
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FLORIGERIO, Sebastiano
Italian painter, Friulian school (b. ca. 1500, Conegliano, d. 1543, Udine).
Karl Blechen
German Romantic, 1798-1840 sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures. Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy
HERRERA, Francisco de, the Elder
Spanish painter (b. ca. 1590, Sevilla, d. 1656, Madrid). Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbaron, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velezquez was briefly his pupil.






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